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thechronfather 124/12/01 11:52:54
Before the performance honouring a local goddess, a ritual is conducted in a nearby forest, revered as the deity's earthly home.

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The themes of performances at Mr Gopalakrishnan's house include honouring a deified ancestor, venerating a warrior-hunter deity, and worshipping tiger spirits symbolising strength and protection.

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The theyyam season in Kerala typically runs from November to April, aligning with the post-monsoon and winter months. During this time, numerous temples and family estates, especially in northern Kerala districts like Kannur and Kasaragod, host performances.

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The theyyams are performed in the courtyard of Mr Gopalakrishnan's ancient joint family house (above) in Kasaragod district. Hundreds of people gather to witness the performances.

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He explores the deep devotion, rich mythology, and surprising evolutions of the art, including the rise of theyyams performed by Muslims in a tradition rooted in tribal and Hindu practices.

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Historian KK Gopalakrishnan has celebrated his family’s legacy in hosting theyyam and the ritual’s vibrant traditions in a new book, Theyyam: An Insider’s Vision.

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It is often called ritual theatre for its electrifying drama, featuring daring acts like fire-walking, diving into burning embers, chanting occult verses, and prophesying.

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Each year, nearly a thousand theyyam performances take place in family estates and temples across Kerala, traditionally performed by men from marginalised castes and tribal communities.

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The predominantly male performers in Kerala and parts of neighbouring Karnataka embody deities through elaborate costumes, face paint, and trance-like dances, mime and music.

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Rooted in ancient tribal traditions, theyyam predates Hinduism while weaving in Hindu mythology. Each performance is both a theatrical spectacle and an act of devotion, transforming the performer into a living incarnation of the divine.

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